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18 Journeys Forged in Communism
The New York Times
14.01.11 - 14.01.11

Review of the exhibition “After the Fall” opened at Hudson Valley Center for Contemporary Art, 1701 Main Street, Peekskill, until July 24. A version of this review appeared in print on January 16, 2011, on page WE9 of the New York edition.
contemporary art platform - in the press
Ion Grigorescu, My Beloved Bucharest
Adrian Ghenie, Pie Eater by Stephen Riolo

26.10.10 - 26.10.10

contemporary art platform - in the press
pie fight study II, 2008. COURTESY THE ARTIST
A Small Town Scenario
Nyartsmagazine
15.08.10 - 15.08.11

Andra Baltoiu writes for Nyartsmagazine - the international guide to the art world about Michele Bressan's art.
contemporary art platform - in the press
Michele Bressan, 2009/2010. Courtesy of the artist.
Irina Botea -- performances and video projects, knitting walls, and Auditions for a Revolution
www.examiner.com
25.06.10 - 12.12.10

Daniel Godston from Experimental Arts Examiner spoke with Irina Botea about her artistic influences, how her identity as a Romanian has affected her work, her ongoing projects, and Ekphrastic Nexus. Irina Botea is a visual artist who lives in Chicago. Originally from Romania, Botea has been working in Chicago for the past several years.
contemporary art platform - in the press
photo of Irina Botea's installation at the National Museum of Contemporary Art (Bucharest, Romania) Photo: photo by NMCA
The Seductiveness of the Interval at The Renaissance Society
cicagoartcriticism.org
24.05.10 - 31.07.10

Jamie Keesling from chicagoartcriticism.com writes an extensive review of the exhibition The Seductiveness of the Interval presented in 2010 at the Renaissance Society, Cicago. This exhibition, curated by Alina Şerban was first shown in the Romanian pavilion at the 2009 Venice biennale. The structure of the exhibition is designed by the collaborative architectural team studioBASAR. The structure’s interior serves as the viewing space for the works of three artists, Ştefan Constantinescu, Andrea Faciu, and Ciprian Mureşan.
contemporary art platform - in the press
Dan Perjovschi: Drawing Criticism
Canadian Art
04.03.10 - 04.03.10

Canadian Art published on 4 March 2010 an extensive interview with Dan Perjovschi conducted by Bryne McLaughlin, with the occasion of Dan Perjovschi’s project at Royal Ontario Museum, Toronto in February 2010. We thank Bryne McKaughlin for the approval to republish this interview.
contemporary art platform - in the press
Dan Perjovschi, Late News, 2010 Detail / photo Bryne McLaughlin
Review: Ciprian MureÅŸan
Artforum
07.02.10 - 07.02.10

Curator November Pynter writes for the February issue of Artforum on Ciprian MureÅŸan works. The article can be read only in the printed magazine.
contemporary art platform - in the press
Innovative Forms of Archives, Part One: Exhibitions, Events, Books, Museums, and Lia Perjovschi’s Contemporary Art Archive
e-flux
07.02.10 - 07.02.10

Nataša Petrešin-Bachelez writes for e-flux journal a series of essays on innovative forms of archives. In the first essay, published in e-flux nr 13, she focuses on Lia Perjovschi’s Contemporary Art Archive / Center for Art Analysis.
contemporary art platform - in the press
Lia Perjovschi organizing inventory for the CAA
A New Arts Complex in Cluj, Romania: 4 Storeys of Quality Art: fabricadepensule.ro
HART
04.02.10 - 04.02.10

In its 61 issue from the 21st of January 2010, the art magazine HART published under its international section an article dedicated to the new arts complex in Cluj, Romania, Fabrica de Pensule. The article is written by Simona Nastac, a Romanian critic and writer living in London.
contemporary art platform - in the press
Communism Never Happened at Feinkost, Berlin (Review)
ARTMargins
30.01.10 - 28.01.10

Art critic Roni Ginach (Berlin) wrote for ARTMargins a review of the exhibition Communism Never Happened at Galerie Feinkost, Berlin, November 7, 2009 - December 20, 2009.
contemporary art platform - in the press
Installation view. Image courtesy of Galerie Feinkost, Berlin.

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